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Sony PXW-FS5 Handheld Super 35 Camcorder
In stock with our Supplier ready to ship in 1-2 working days, but may be subject to variations.Lightweight but robust Handheld 4K at 100Mbps 240fps slow motion Ultimate mobility & Adaptable design 4K Super 35 Exmor® sensor Networked for high mobility
Sony PXW-FS5 Handheld Super 35 Camcorder
Grab and Shoot with handheld Sony PXW-FS5 Super 35
The Sony PXW-FS5 is a handheld camera should be able to get you into tight places. To work in your lap. To move with the talent. To shoot high and low angles with equal agility. And a handheld camera should function beautifully against your chest, comfortably steadied by your right hand with all the controls at your fingertips. Sony’s extraordinary PXW-FS5 does all of this, and more.
The Sony PXW-FS5 is a radical re-imagining of the Sony PXW-FS5 for unsurpassed on the go shooting in the most demanding of conditions. With a body-only weight less than half the FS7 at 0.8kg, you can shoot almost anywhere.Handheld operation is simply exceptional as the superbly balanced chassis is easily configured to shoot from high to low angles thanks to a flexible, rotatable grip and a LCD viewfinder that can be mounted in no less than nine locations. And as you’d expect from Sony, to provide complete control over lighting in fast moving situations, we invented the first built-in electronic Variable ND Filter for a Super35mm camcorder.
When you’re in the field, you don’t want to lose time or miss any opportunity. The Sony PXW-FS5 allows you to quickly add or remove components such as the grip and LCD viewfinder without special tools, while standard ¼-inch screw holes support mounting on a drone, gimbal or in a underwater housing.
α Mount Flexibility
Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. The FS5’s E-Mount can take cinema lenses and SLR lenses with a third party adaptor, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, the Sony PXW-FS5 makes it easy.
You can also purchase the Sony PXW-FS5 on its own (PXW-FS5) or with lens (PXW-FS5K). Weighing only 427g, the SELP18105G is an ideal partner for the Sony PXW-FS5 delivering stunning imagery with a 6x power zoom which is easily adjusted by a zoom lever on the camera’s grip and handle.
Maximum aperture is a constant F4 from 18mm to 105mm, with excellent resolution and contrast throughout.
A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.
SELP18105G is supplied as standard with PXW-Sony PXW-FS5.
Handheld 4K at 100Mbps
When quality is everything, make the most of the FS5’s Super 35 Exmor sensor and shoot 100Mbps 4K (3840 x 2160) using Sony’s advanced XAVC (Long GOP) recording system. In the future, there will even be the option to record RAW externally (details to be announced). If you need a fast turnaround, switch to Full-HD (1920×1080) recording at up to 60p XAVC 10bit 4:2:2 50Mbps. The Sony PXW-FS5 has the flexibility to suit how you need to work, today and tomorrow.
240fps Slow Motion
High Frame Rate shots can turn everyday actions into slow-motion ballet and the FS5 delivers a stunning 240 frames per second (fps) in Full HD XAVC 10bit 4:2:2. If your project plays at the cinematic 24p, you get beautiful 10x Super Slow Motion. There’s no sacrifice in bit depth and no “windowing” of the sensor. So there’s no crop factor, no loss in angle of view.
Lightweight but Robust
Despite its amazingly light 0.8kg body, the FS5 is more than tough enough for the rigors of real-world shooting. The main frame is magnesium, for high rigidity and light weight. Cooling is an urgent requirement in a 4K camera, all the more so in a camera as compact as the FS5. An advanced cooling system design features a vertical heat sink placed directly beside the image sensor and main circuit board to maximise its effectiveness. An air duct cools the heat sink while isolating the electrical components from exposure to dust.
All of the Sony PXW-FS5 key functions are put at your fingertips – from an electronic zoom lever to assignable dials and responsive joystick. Direct Menu options display onscreen, so shooting parameters can be changed quickly and conveniently without taking your eyes off the action. The smart grip is located as close as possible to the centre of gravity of the camera to avoid rolling, while a grip belt makes your hold completely secure. To adjust the smart grip’s angle, you only need to press one button and turn. Detaching the grip is made fast and simple with a bayonet connection.
However you want to shoot, the Sony PXW-FS5 adapts to fit your style. Its 3.5-inch LCD screen can be attached in no less than nine different locations, three on top of the handle and another six on top of the body. And once attached, the positioning of the screen can be freely adjusted – for example either beside the camera body or directly along the axis of the lens.
Modular Design for Easy Integration
The FS5 is designed to be taken apart quickly and easily, with no need for custom tools. There are also ¼-inch screw holes on handle, top and bottom of the body to support mounting on a drone, gimbal or in a underwater housing. For tripod mounting, there’s a 3/8-inch screw hole on the bottom. You can even add the FS7’s rosette mount* to securely attach an FS7 arm and compatible third-party accessories.
Networked for High Mobility:
- Live stream from any event thanks to a choice of Wi-Fi or built-in wired LAN
- Control FS5 from your smartphone or tablet
- Built-in NFC supports one-touch authentication possible with appropriate devices
- Be first with breaking news thanks to a built-in wired LAN jack for high-speed FTP transfer of full resolution content
4K Super 35 Exmor® sensor
The FS5 is built around a high-sensitivity 4K Super35 “Exmor” CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and Super Slow Motion.
4K resolution 11.6 million total pixels and 8.8 million effective pixels deliver 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.
Super 35 size sensor offers “bokeh,” the defocused backgrounds made possible by shallow depth of field, as well as excellent low-light sensitivity and an expansive field of view.
14 stops of exposure latitude deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail.
Exceptional sensitivity enables you to shoot well after sunset, without tons of lighting and grip.
Sony’s Exmor CMOS design provides high-speed full-pixel read- out capability (without pixel binning) and sophisticated camera processing to ensure jaggies and moiré are minimized.
High Frame Rate (HFR) Recording
The FS5 offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps. The 8-second cache recording means no more mistimed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want. It is also possible to record 120 fps with up to 16-second cache recording. Higher frame rates of 480 fps and 960 fps are also possible a specific resolution.
Built-in electronic Variable ND Filters
The FS5 is the world’s first Super35mm camcorder* with a built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. Unlike conventional optical ND filters, the electronic ND filter on the FS5 can be controlled from 1/4ND to 1/128ND linearly. This makes the FS5 ideal for fast-moving shoots in changeable environments – there’s no need to change filters as lighting conditions change and variable control makes it easy to keep depth of field under control. *Sony market research, September 2015.
Clear Image Zoom
This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Once you’ve zoomed in at maximum optical magnification, By Pixel Super Resolution Technology can enlarge the image by additional 200%. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens.
Centre Scan Mode
To support traditional Super 16mm cinema lenses, the FS5 has a Centre Scan Mode which selectively outputs 2160×1080 from the sensor’s centre. This gives the FS5 all the characteristics of a Super 16mm film camera and avoids any vignetting. It also offers a 2X Digital Extender zoom – effectively doubling your range for HD content.
Accurate OLED Viewfinder
A high quality 0.39-inch OLED viewfinder is perfectly offset for right-eye or left-eye viewing OLED’s superb accuracy, high contrast and high resolution (1,440K dot) enables precise manual focus and eliminates any colour-breaking phenomenon.
Dual Media Slots with Independent Record Control
To extend recording time and workflow flexibility, the FS5 is equipped with two memory card slots. “RELAY” mode automatically switches recording from the first to the second memory card when the first is full, while “SIMUL” mode permits simultaneous recording to two memory cards (for example to create an immediate back-up version). The FS5’s three Start/Stop buttons on the grip, handle and camcorder body, can independently start and stop recording on different memory cards while recording in “SIMUL” mode.
Multi-Interface (MI) Shoe
The FS5 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*
*Accessories sold separately. HVL-LBPC light does not draw power from FS5.
Dual XLR inputs
The FS5 has two XLR connecters – so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal.
Beyond Changing Lenses – Changing the game.
FS5 belongs to Sony’s α mount system family of cameras with interchangeable lenses, offering unsurpassed compatibility with third-party lenses as well as Sony products. The FS5’s E-mount can take both cinema lenses used in cinematography and SLR lenses from stills photography, as well as Sony’s E-mount and A-mount lenses.
Sony, the lens company
There is no cinematography without lenses. That’s why Sony is a primary manufacturer of high quality lenses. And that’s why we build our own optics, based on our own designs in our own factories. We’re experts at selecting, moulding, polishing and coating the glass elements. We’re accomplished in the rarefied craft of integrating motors and drive systems. And we’re a primary innovator, as demonstrated by these recent advances overcome enormous technical hurdles to achieve superlative surface precision. They reduce overall lens size and complexity while achieving extremely high imaging performance.
The right tools for every job
The PXW-FS5 is all about choices. Record internally in 4K or HD. Bend time with High Frame Rate shooting. Choose the latest space-saving XAVC Long GOP or the widely used HD standard AVCHD.
Internal 4K recording
Does a 4K camera make sense in an HD world? Perfect sense. Even if you’re not planning on 4K production, the 8.8 megapixels of Sony’s 4K image sensor enables you to shoot super-sampled HD, with detail and image texture that HD sensors cannot see. And if you want to record in 4K, the FS5 supports internal recording at frame rates of 23.98, 25 and 29.97fps. The camera is able to record QFHD (3840 x 2160) at 60 or 100 Mbps.
Colour, contrast and the XAVC codec
Today’s productions want more. More resolution with 4K. More frames per second with High Frame Rate recording. Better grayscale with 10-bit precision. Better colour rendition with 4:2:2. And today’s productions want to record it all at money-saving data rates. That’s why Sony created the extraordinarily capable XAVC codec. The XAVC Long GOP version captures Full HD in 10-bit, 4:2:2, at an economical 50 Mbps, 35 Mbps or even 25 Mbps (depending on your frame rate). You can shoot 4K in 4:2:0 at 100Mbps or 60Mbps.
S-Log3 and maximum dynamic range
As the exposure latitude of modern cameras climbs, conventional HD recording systems are hard-pressed to keep pace. That’s why Sony developed S-Log2 and now S-Log3. Sony’s most refined logarithmic gamma mode yet, S-Log3 enables faster, easier colour grading with more levels devoted to shadows and mid-tones for spectacular grayscale rendition. You’ll spend less time “getting into the ballpark,” leaving more time for creativity. Of course, for the S-log2 lover, Sony supports S-log2 gamma for PXW-FS5.
As well as the Sony PXW-FS5 we have an incredibly wide range of Cameras and Accessories for all your content creation requirements. Have a look at the main page for more products that will help with your shoot.Since the 1930’s PEC has always been a leading light of the British Film industry, to this day we still stock a wide range of film products, from splicing tape, magnetic stock and spacing all in 16mm, 35mm and 70mm to CIR Splicers, Viewers and Competitors (Picsync)
As well as our film equipment we also stock a wide range of cutting edge cameras and supporting technology, including Audio, LIGHTING, MEDIA, POWER, EQUIPMENT SUPPORTS, MONITORS and much more.
We also offer an in-house product repair and service. Our other services include: Broadcast Studio Design, System Integration, Studio automation and networking.
- Approx. 830g (Body only)
- Approx. 1lb 13.2 oz (Body only)
Dimensions (W x H x D)*:
- Approx. 111.3 x 128.7 x 172.4 mm (Body only including the projecting parts)
- Approx. 4 1/2 x 5 1/8 x 6 7/8 inches (Body only including the projecting parts)
- DC 14.4V （battery pack)
- DC 12.0V (AC adaptor)
- [NTSC model] Approx. 11.8W (while recording with LCD Off, EVF On when the external device connector is not used.)
- Approx. 12.6W (while recording with LCD On, EVF On when the external device connector is used.)
- [PAL model] Approx. 11.5W (while recording with LCD Off, EVF On when the external device connector is not used.)
- Approx. 12.3W (while recording with LCD On, EVF On when the external device connector is used.)
- 0°C to 40°C
- 32°F to 104°F
- -20°C to +60°C
- -4°F to +140°F
Battery Operating Time
- With battery pack BP-U90: approx. 6 hours, 50 minutes (While recording with LCD On, EVF Off when the external device connector is not used.)
- With battery pack BP-U60: approx. 4 hours, 20 minutes (While recording with LCD On, EVF Off when the external device connector is not used.)
- With battery pack BP-U30: approx. 2 hours, 10 minutes (While recording with LCD On, EVF Off when the external device connector is not used.)
Recording Format (Video):
- XAVC QFHD : MPEG-4 AVC/H.264 4:2:0 Long profile
- XAVC HD : MPEG-4 AVC/H.264 4:2:2 Long profile
- AVCHD : MPEG-4 AVC/H.264 AVCHD 2.0 format compatible
Recording Format (Audio):
- XAVC : Linear PCM 2ch, 24bit, 48kHz
- AVCHD : Linear PCM 2ch, 16bit, 48kHz / Dolby Digital 2ch, 16bit, 48kHz
Recording Frame Rate:
- XAVC QFHD (3840 x 2160) @29.97p, 25p, 23.98p 100Mbps/60Mbps
- XAVC HD (1920 x 1080) @59.94p, 50p, 50Mbps/35Mbps
- XAVC HD (1920 x 1080)@59.94i, 50i, 50Mbps/35Mbps/25Mbps
- XAVC HD (1920 x 1080)@29.97p, 25p, 23.98p, 50Mbps/35Mbps
- XAVC HD (1280 x 720)@59.94p, 50p, 50Mbps
- AVCHD (1920 x 1080)@59.94p, 50p, PS mode(28Mbps)
- AVCHD (1920 x 1080) @59.94i/50i/29.97p/25p/23.98p,
- FX mode (24Mbps)
- FH mode(17Mbps)
- AVCHD (1280 x 720)@59.94p, 50p,
- FX mode(24Mbps)
- FH mode(17Mbps)
- HQ mode(9Mbps)
- XAVC-L QFHD 100 mode Approx. 65 min with 64 GB memory card
- XAVC-L QFHD 60 mode Approx. 100 min with 64 GB memory card
- XAVC-L HD 50 mode Approx. 120 min with 64 GB memory card
- XAVC-L HD 35 mode Approx. 170 min with 64 GB memory card
- XAVC-L HD 25 mode Approx. 220 min with 64 GB memory card
- AVCHD@LPCM 2ch PS Mode – Approx. 290 min with 64 GB memory card – Approx. 145 min with 32 GB memory card
- AVCHD@LPCM 2ch FX Mode – Approx. 340 min with 64 GB memory card – Approx. 170 min with 32 GB memory card
- AVCHD@LPCM 2ch FH Mode – Approx. 450 min with 64 GB memory card – Approx. 225 min with 32 GB memory card
- AVCHD@LPCM 2ch HQ Mode – Approx. 590 min with 64 GB memory card – Approx. 290 min with 32 GB memory card
Lens Mount: E-Mount
Imaging Device (Type): “Exmor” Super35 CMOS Sensor
Effective Picture Elements: 3840 (H) x 2160 (V)
Built-in Optical Filters:
- ND filters
- OFF: CLEAR
- 1: 1/4ND
- 2: 1/16ND
- 3: 1/64ND
- Linear variable ND (1/4ND to 1/128ND)
ISO Sensitivity: S-Log3 Gamma ISO3200
- 0.16Lux [60i] （IRIS F1.4, GAIN Auto, Shutter Speed 1/24)
- 0.18Lux [50i] （IRIS F1.4, GAIN Auto, Shutter Speed 1/25)
Horizontal Rezolution: 1000 TV lines or more (1920 x 1080i mode)
- 1/8 to 1/10000 sec. (60i)
- 1/6 to 1/10000 sec. (50i/24p)
Slow & Quick Motion Function:
- [30p]:2160p: Frame rate selectable 18.104.22.168.15.30 fps
- [25p]:2160p: Frame rate selectable 22.214.171.124.12.25 fps
- [60i]:1080p: Frame rate selectable 126.96.36.199.15.30,60 fps
- [50i]: 1080p: Frame rate selectable 188.8.131.52.12.25,50 fps
Super Slow Motion Function:
- [60i] Frame rate selectable 120, 240, 480, 960 fps
- [50i] Frame rate selectable 100, 200, 400, 800 fps
- Preset (3200K), Memory A,
- Memory B/ATW
Gamma Curve: Selectable
Audio Input: XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
- Integrated into Multi/Micro USB jack
Audio Output: Integrated into Multi/Micro USB jack
- BNC type (x1), SD/HD/3G(Level-B) selectable
- SMTPE 259M/292M/424M/425M standards
USB: Multi/Micro USB jack (x1)
Headphone Output: Stereo mini mini jack (x1)
Speaker Output: Monaural
DC Input: DC jack
Remote: Stereo mini-minijack (Φ2.5 mm)
HDMI Output: HDMI connector (Type A)
- LAN Terminal
Viewfinder: 1.0 cm（0.39 type）OLED Approx. 1.44M dots
LCD: 8.8cm (3.5 type) Approx. 1.56M dots
Built-in Microphone: Omni-directional stereo electret condenser microphone
Type: MS/SD (1), SD (1)
Wi-Fi / NFC
Supported Format: IEEE 802.11 b/g/n
Frequency Band: 2.4 GHz bandwidth
NFC: NFC Forum Type 3 Tag compliant